Happy New Moon intrepid dreamers!

I have a dear friend who calls this the ‘horns of the bull’ moon, which I find so apt considering the fiery, active energy that comes available to us at this time. For many of us, these long winter months have been about doing the hard, internal work of shedding old habits and patterns, sealing up our energy leaks, and tuning in to the deeper sense of direction that only arises from ashes. And now, we are ready to grab on and go!

As well as a couple of announcements below, you’ll find some beautiful art, poetry and wisdom to touch your brave heart in my April Newsletter.

In my biggest news, a gorgeous group of women will be making the great journey to the UK this August to come together in Dreaming Council for a retreat I am offering called Embodying the Dream. There are a handful of spots left if you’d like to join this magical circle!

And by popular demand, I’m happy to announce new dates for Dreamwalking: A 4-week online Course on Dreaming. It tends to fill up quickly so be sure to register early if the timing feels right for you.

Lots of love,
Toko-pa

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This is the true meaning of Embodiment: To show up with wholehearted presence for this moving encounter with life. Instead of clambering towards ever-furthering horizons or withdrawing into distractions and addictions, showing up for those absences in our lives. Welcoming our fears and discomforts as necessary conditions to creativity. Loving the gestation as much as the harvest, even while remembering the barren season that must follow.

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I want to be guided by older-ups. I want babies to be born where old people die. I want to be sandwiched in the middle of a messy togetherness. I want to be warned before I do something stupid. I want to be forgiven when I do it anyway. I want wisdoms to be tapped out on my eardrums and not Googled. I want transitions to be recognized by fire. I want gifts to be educed from children. And teenagers and adults and I want to mean something to my community. I want to get drunk on substance morning and night. I want to hear your dreams. I want to raise a revolution for gentleness. I want to call out the bullshit on consensus reality. I want to get rich so I can billboard the highways with validations.

I don’t want to be another faker. I don’t want to show you my good side and hide my humanity. I don’t want to dole you out my Self in digestible status-chunks. I want to challenge you in long, drawn-out rituals and still find you interested. I want to feed you seventeen course meals made with spices I crushed. I want to recite you circular poems, each beginning cutting a deeper grasp. I want to make you feel something, even if it’s awkward. I want to sing you songs which are ancient and new. I want to carve stories in trees with tools my elders fashioned. I want to keep sharpening them. I want to find places we’ve never been. And then, I want to return there, but backwards.

I want to shuffle up words so we don’t sleep through them. I want to learn things and then be splashed into never forgetting. I want to make you feel seen. I want to hold your pounding heart in my gentlest of hands. I want to make your thing feel like my thing. I don’t want to miss a moment. I want to dig at the bottom and find it false. I want to turn up unknown depths. I want to stand in this hurricane and sing the sweetest, most naked song you can bear. I want to be alive with you.

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For those who have been following my slow initiation into the World of Handmaking, you know that I’ve had a long yearning to make baskets! Last summer, I even tried teaching myself using wild grasses from my garden (and the internet).

This past weekend I had the enormous fortune to study basketmaking with a master. Like many  geniuses who hide away in the forest, Joan Carrigan lives on our timid little island and is one of the world’s greatest (and sweetest) teachers of this ancient artform.

This two-day workshop took place at Jane Stafford Textiles, a gem of a venue, founded mostly for weavers. The walls are lined with elegant looms under a rainbow spectrum of threading spools. Jane’s hospitality was above and beyond anything I expected, warming our weekend with sweetness and luxury.

Remembering

The moment the reeds were in my hands, I felt a deep familiarity. Of course there was a learning curve as I tried to discipline the reeds, but for the most part I felt I’d done this with my womenfolk for lifetimes.  The only thing missing was our weaving songs.

Joan’s teaching style was so clear with experience that I felt guided at every proverbial and literal turn.

Once I learned the 3-rod-whale weave, I was unstoppable – my fingers flew and my mind went silent. By the end of our first day together I had something that very nearly resembled a basket being born.

 

 

Nature’s Bounty

The next day, Joan introduced us to her wild collection of natural materials. Other than the reeds, which are native to Asia, Joan harvests all her own materials, plucking wild rush from the lake in her canoe, making alliances with tree fallers for sustainable cedar bark, and twining seagrass by hand.

Here you can see  I’ve created a band of twined seagrass and two rows of red cedar bark.

Next I attempted a technique called French Randing, which is a diagonal weave using short, flat reed pieces.

Before I knew it, I had made a beautiful basket which I’ll cherish forever.

Heart and Hands

It’s amazing how mysterious handmaking seems until we put our intention to it and realise that these ancient technologies live in our bodies and, with some gentle guidance, our heart and our hands can be coaxed back into remembering their symbiosis.

I am so deeply grateful for Joan’s teaching, which has returned this language to my fingers. I’ll never look at my autumn garden the same again!

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Though I loved the coziness of a fire in the winter’s dark, the reunion of far-flung beloveds, the feast of epic proportions and other shared rituals, at a certain point I had to admit to myself that the painful disappointments of Christmas far outweighed its joys in my family.  Like many commercial holidays, it was a loaded time for my family; rife with tensions, the ensnarement of obligation and, in the end, dashed hopefulness.

It wasn’t until my mid-twenties, after many sad Christmases alone, that I decided to take the holy power back. Starting from scratch, I began to build new traditions for myself, focusing on aspects of the holiday that I cherished, growing them outwards from there.

At the time, I lived in Kensington Market, a colourful enclave in the heart of Toronto populated by artists, merchants and bohemian types. Every year they had a magical parade on the Winter Solstice when the streets would fill with freaky people, bands played on the rooftops with drums and trumpets, and everyone hoisted their colourful, handmade lanterns into the night sky. The whole thing culminated in a terrible-wonderful bonfire, when we burned our precious creations and boogied-down in the snow.

I loved lighting the longest dark of the year, celebrating our endurance and honouring all that we were releasing in the fire, and decided to adopt the Winter Solstice as my new tradition. Unlike the Christian holiday, observing the ancient astronomical event made deep sense to me. While it took some time to develop a relationship with it, eventually Solstice displaced all that old tension and loss, infusing this time of year with new life and love.

Instead of buying presents, now we roast a giant bird for our friends, gather musicians to fill our night with song, light our home with lanterns and, instead of cutting down a tree my partner and I build one from scratch using bits we find on the forest floor; branches, spirals of honeysuckle and fallen boughs of fir.

We observe the sacred aspect of the holiday by gathering in ritual around the fire to honour our grief and our loss through storytelling moistened with tears, witnessed by those who know  – and we express our deep gratitude for the returning of the light. This year we were blessed to gather with like-hearted friends, in a gorgeous tipi they raised on their land for to birth their own new traditions.

Photograph by Christopher Roy

While there are still times when I find myself mourning what never could be in my family of origin, now in the balance the joys far outweigh any disappointments. A blessed holiday to all of you and yours!

 

 

 

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1. The distant hoot of owls in darkness not yet risen, luring us across the threshold.

2. The Christmas Cactus readying its tender buds for blooming.

3. The curls of fog like a cozying cowl around the collar of our mountain perch.

4. Moss and plum, rust and mustard, eggplant and olive, all suddenly colouring the season.

5. A sharpness in the wind, halos of red on treetops and orange at fringes, the wobble before the fall. Everything so urgently commands our notice now.

6. The earth is so dry, I hear the grass breaking underfoot. I walk slowly to give the crickets time to spring themselves, left and right, to safety.

7. Spelt loaf fresh from the oven, still swollen with heat, steam rising from inside the slice.

8. The lightsculptures on purpose again, keeping our insides aglow while darkness takes its rightful reign.

9. My mukluks, so much like pets, always at my feet.

10. My pride of dreamers, healing the impossible, turning wounds into art.

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A mobile I created for a bright star in my life. – Toko-pa

“I dream of a family of stars. When one of us shines brightly, it inspires the rest of us to turn up our shine. There are no teachers in the starfamily, there are only learner-sharers. While some of us are meant to lead, others clear the path and do the math, but we are all stars, so comparison ceases to exist. Reciprocity is the only law, held up by the wisdom of love. We know that everything is vibration, so we are radically responsible with what tunes we tell. Everyone in the starfamily is needed, even the chaos stirrers, who help us know dissonance which is the precursor to change. Every obstacle we surpass brings us closer to the truth of our indispensability, which is also fleeting. We come to see that we are disappearing comets, with but a blip on the radar of this exquisite life to make our streaks on the sky in an unselfconscious praising of the present, grieving to return to the one love which made us.” – Toko-pa Turner

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Digital painting by Stacy Pugh, of Lavender Lilly Dilly Dilly

 

In this 4-week online course, (April 29th-May 24th), you will be learning the Cornerstones of Dreamwork. Using an intimate blend of art, theory and practice, dreamers learn to understand the structure and language of dreams & develop the tools necessary to begin bridging their wisdom back to waking life.  This series is excellent for beginner and intermediate dreamers.

The weekly online classes will cover the following topics:

 

Dream Architecture

Dreamwork is an art as well as a science.  In this class we learn to approach dreams in the same way we would a work of literature, film or painting; appreciating its mechanics as well as its poetry.   We will learn how to recognize the dramatic structure of a dream, isolate its key elements and bridge their symbolism back to waking life.

Light in the Dark

Learning to actively dream involves finding balance between the light and dark sides of our nature.  In this class we will pay special attention to the Shadow and nightmares, learning how to read the warning signs of imbalanced attitudes.  We will explore the redeeming medicine of dark dreams and the importance of finding the light contained within them.

Inner Marriage

Each of us contains both masculine and feminine qualities within.  It is only our gender conditioning that engrains a bias towards one or the other.  What results, is an impoverishment of our opposite-gender qualities.  In this class, we will learn how to integrate both through dreamwork, so that we can recover our wholeness as individuals, correspondingly healing our larger community.

Dream Yourself Awake

Dreaming is a kind of archaeological process where we enter the landscape of the soul to unearth the forgotten or undiscovered parts of our selves.  As we begin to do away with unconscious, habitual behaviour, we awaken to a new way of being in the world.  We begin to walk the dream – turning inspiration into action. In this class we will learn techniques for engaging our co-creative abilities in both dreaming and waking realities.

 

How it works:

  • Once I have received your registration, you will receive an invitation to join an exclusive Facebook Group with your fellow Dreamwalkers, where most of our discussions will take place.
  • You will then receive your video lessons on Monday of every week, along with your weekly study guides.
  • We meet twice a week to accommodate opposite time zones: Saturdays at 11 am (PST) and Wednesdays at 7pm (PST). You are welcome to come to either or both. If you have to miss both, Live Chats are available for review by members anytime.
  • We will be working on actual dreams as a group in every class, so if you’d like to submit a dream, you will be invited to email it to me beforehand.
  • Our private Facebook Group can be used throughout the week to share dreams with your fellow Dreamwalkers, start discussions, offer insights, and ask questions.

 

Testimonials:

Click here to read some Testimonials from Graduate Dreamwalkers

 

Tuition:

Earlybird tuition (Friday April 19th) for this 4-week course is $140.

Final registration deadline (Friday April 26th), is on a sliding scale from $160 – $180.

Due to the volume of scholarship requests, any amount above the base price ($140) will go towards a Scholarship Fund to help those in need.

Some scholarships are available and will be considered on interest, merit & need. If you’d like to apply for a scholarship, please send a mind & heartful letter to dreamquestion@gmail.com.

If you have any other questions, feel free to contact me.

Click the ‘register now’ button and enter an amount between $140-180:

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1. The longing to hand-make beautiful things has overtaken me recently. It was seeded some 4 years ago when I was gifted a deerskin medicine pouch by a friend in ceremony. She had learned to skin & tan the hide herself, working it until the tassels hung gently and the slipknot moved gracefully along its braided path.

2. Recently, I was given another miraculous gift – an anatomical drawing of a long-gestating moth carved into the broad side of a reishi mushroom, by a woman who also wove her own baskets. So enamoured was I, that I set about weaving my first grass basket for a sister on her wedding day.

3. Since music, writing and dreamwork are all ‘invisible’ arts, I have an inextinguishable thrill whenever I create a thing in 3D. In a more pronounced way, physical arts feel as if they go on to live a life of their own once they leave my hands.

4. When a dear friend sewed me a vibrant string of prayer flags for my birthday, into which she’d woven symbols and objects that were meaningful to our shared history, I finally understood why hand-making calls me so strongly. It isn’t just the long efforts to bring beauty into the world, honouring that which made us by creating as we have been created, but the story that is embedded in the work itself.

5. The songs of the Aborigines are actually maps of their landscape. An elder who has never been to a place can navigate their way there if they know the sequence of the song. Each word and rhythm represents a tree, stone, or curve in the earth, making a ‘songline’ which they can follow to their destination. Languages between tribes are not a barrier because the “melodic contour of the song describes the nature of the land over which the song passes.”

6. The Shipibo are one of the many indigenous tribes in Peru who, throughout history, have recorded their songs, or icaros, in elaborately embroidered geometric designs that correlate directly with nature.

7. Weaving, sewing and painting our stories & myths into the things we make is a way of keeping our culture alive. Heirloom is a compound word, with its roots in heredity + looming. Indeed, if even one generation is denied their inheritance, the story and the way home may be lost. As it is said in West Africa, “When an elder dies, a library burns to the ground.”

8. I set out earnestly on this path of hand-making, hoping one day to pass on things of beauty to the young ones in my life so they may find their way home across the songlines, as I have been found by those who have made beautiful things for me.

 

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I envision a community where all its members are held essential and their gifts, valued. Like a structure whose center is everywhere, this vision’s core is the practice of reciprocity.

Reciprocity means acknowledging the gifts those around us are giving by showing our gratitude in equal. Whether with money, barter, support or time, we recognize that which we have received with tangible thanks.

Money is materialised gratitude, so until it, (or an equal form of thanks) is given, receiving is not complete.

Money isn’t meant to be stopped-up and saved, but kept moving towards those things we value, so they may gain in strength and influence.

Simultaneously, we must recognize our own gifts by giving them only where they are fully received, showing others the power of their gratitude.

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